If the victim stays in the picture
On Otto Mühl and the question of when artist and work can no longer be separated On 10 September, the
On Otto Mühl and the question of when artist and work can no longer be separated On 10 September, the
Part II: Why Does Art Always Have to Be New? “That has already been done.” This sentence, too, has a
Part I: Does Art Get Better – or Just Different? “Back then, at least they still knew how to paint.”
In the previous article on hermeneutics and reception aesthetics, the starting point was a seemingly harmless question: how does the
When we look at a work of art, sooner or later an astonishingly simple question arises: what does it actually
When photography began its triumphal advance in the nineteenth century, many people regarded it primarily as one thing: a technical
Or: Why a handful of young English artists began searching for the roots of art nearly 180 years ago. When
A small warning before we begin. Over the coming months, the Cogitationes will occasionally introduce names you might not expect
On Pointillism and Divisionism, photographic grain, and a reality that only comes into being in the eye When we approach
How to Look at Modern Art There is a moment that occurs with remarkable regularity in galleries devoted to modern