If the victim stays in the picture
On Otto Mühl and the question of when artist and work can no longer be separated On 10 September, the […]
On Otto Mühl and the question of when artist and work can no longer be separated On 10 September, the […]
Part II: Why Does Art Always Have to Be New? “That has already been done.” This sentence, too, has a
Part I: Does Art Get Better – or Just Different? “Back then, at least they still knew how to paint.”
In the previous article on hermeneutics and reception aesthetics, the starting point was a seemingly harmless question: how does the
When we look at a work of art, sooner or later an astonishingly simple question arises: what does it actually
When photography began its triumphal advance in the nineteenth century, many people regarded it primarily as one thing: a technical
Or: Why a handful of young English artists began searching for the roots of art nearly 180 years ago. When
A small warning before we begin. Over the coming months, the Cogitationes will occasionally introduce names you might not expect
On Pointillism and Divisionism, photographic grain, and a reality that only comes into being in the eye When we approach
How to Look at Modern Art There is a moment that occurs with remarkable regularity in galleries devoted to modern