The photographic works develop in closed series.
Individual images are part of a larger context and are not intended to be understood in isolation.
Each series follows its own internal order and is developed over an extended period of time.
Form, light and motif are not fixed in advance, but are refined in the course of the work.
The themes are not conceived as illustrative.
They serve as starting points for formal and conceptual investigations in which reduction, repetition and variation are central tools.
The series deliberately bear Latin titles.
Here, Latin does not function as a reference to tradition or education, but as a neutral language of order beyond contemporary attributions.
The title names the working field, not the result.
