Welcome to Cogitationes, thoughts from the studio of Artis Umbrae.
This is neither a blog in the conventional sense nor a diary, even though traces of both may occasionally shimmer through. It is a space for thought, a studio in words, at times a travel journal, at times a dissecting table.
This journal opens a view into the universe of Artis Umbrae — into those mental spaces from which images, series and questions emerge. At the same time, it turns the gaze of that universe back onto the world: onto art, history, society, and the contradictions of our present.
Here I write about my own perspective on art, about art-historical references and sources of inspiration, about light, body, space, and those places that at some point find their way back into my work as image. Series and individual works are introduced here, sometimes explained, sometimes deliberately left open. Social and cultural questions also have their place — though only where they touch, challenge or inspire my work.
I write neither as an art historian nor as a sociologist. Yet these reflections are not meant to float freely in abstraction; they remain anchored in history, in the work itself, and in observation.
A small warning in advance:
I have never faked sarcasm.
Irony, sarcasm, and occasionally a certain degree of cynicism are not external stylistic devices here; they are part of the original material. Anyone hoping for agreeable surfaces, softened formulations, or market-friendly artistic platitudes may well be disappointed.
For me, art rarely begins with the image alone. More often, it begins where perception collides with contradiction. If these texts occasionally reveal more about the viewer’s gaze than about the work itself, that is no accident.
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If you would like to receive new essays, work series, spaces of thought, and the occasional imposition of contemporary reality directly, you are welcome to subscribe to Cogitationes.
As a rule, a newsletter is sent out once a month, featuring the latest texts, notes on new series, and selected reflections from the Artis Umbrae universe.
The newsletter is published bilingually in German and English and is intended as a shared journal for all language spaces in which Artis Umbrae is present. The individual essays on the website itself are available in all published language versions.
New texts emerge with an irregular regularity — the monthly dispatch simply ensures that nothing slips past unnoticed.
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Public sharing buttons have been omitted deliberately.
Some texts and visual worlds unfold their effect more fully in quiet reading than in the rapid traffic of social media. If you wish to pass a text on, please do so intentionally — by link, message, or in personal conversation.
Thoughts may travel.
Just preferably not algorithmically.
To the essays
If the victim stays in the picture
If the Name is larger than the image
How to art has been, what it is
How Art Became What It Is
Reception Aesthetics II – Where Does the Pornography Reside?
Hermeneutics, Reception Aesthetics and CONVIVIUM – How Meaning Emerges
I’m not looking for a beautiful body
Pictorialism – When Photographers Set Out to Prove That Photography Could Be Art
Free hands – and what you can do with
Why Red, All of a Sudden?
What Photographers Can Learn from the Pre-Raphaelites
Why I’ll Be Bothering You with Long-Dead Painters More Often
The One Photograph
Smartphone or Professional Camera? Why This Debate Misses the Point
The Image Made of Silver
The Image Between the Dots
Photoshop, retouching, and the Illusion of the “real” image
What Does Sin Taste Like?How’s the sin?
How you look at modern art – thoughts from a Studio
The Disappearance of Shadows
A morning between images, and discussions
As an art has never been allowed to be complicated
When the world was still readable
What Is Fine Art, Anyway?
Art, Kitsch and Beauty – A Journey in Three Parts
Art, Kitsch and Beauty – A Journey in Three Parts
Art, Kitsch and Beauty – A Journey in Three Parts
Ravenna – between the gold, mosaics, and contemporary art
Of the old suspicion
As ideas emerge
As an “Impression” is still an insult was
When Does Art Stop Being Art?
About my handwriting more than mere writing
Max Herrmann-Neiße
Ten Sentences for People Who Want to Sound Intelligent at Openings
And Size Does Matter After All
I Do Not Photograph Numbers
Michelangelo, Moses, and the Problem with Breasts
Gallery Visits in Mallorca
A Visit to Thomas Leimer and publicartists.online
Between Silence, Script, and Shadow – Reflections on My Trakl Cycle
Between Space and Proximity – Reflections After Two Gallery Visits in Vienna
Why My Images Must Lose Their Colour
Trude Fleischmann
The Images That Never Came Into Being
The Moment Alone Is Not Enough
