Cogitationes

Welcome to Cogitationes, thoughts from the studio of Artis Umbrae.

This is neither a blog in the conventional sense nor a diary, even though traces of both may occasionally shimmer through. It is a space for thought, a studio in words, at times a travel journal, at times a dissecting table.

This journal opens a view into the universe of Artis Umbrae — into those mental spaces from which images, series and questions emerge. At the same time, it turns the gaze of that universe back onto the world: onto art, history, society, and the contradictions of our present.

Here I write about my own perspective on art, about art-historical references and sources of inspiration, about light, body, space, and those places that at some point find their way back into my work as image. Series and individual works are introduced here, sometimes explained, sometimes deliberately left open. Social and cultural questions also have their place — though only where they touch, challenge or inspire my work.

I write neither as an art historian nor as a sociologist. Yet these reflections are not meant to float freely in abstraction; they remain anchored in history, in the work itself, and in observation.

A small warning in advance:

I have never faked sarcasm.

Irony, sarcasm, and occasionally a certain degree of cynicism are not external stylistic devices here; they are part of the original material. Anyone hoping for agreeable surfaces, softened formulations, or market-friendly artistic platitudes may well be disappointed.

For me, art rarely begins with the image alone. More often, it begins where perception collides with contradiction. If these texts occasionally reveal more about the viewer’s gaze than about the work itself, that is no accident.


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If you would like to receive new essays, work series, spaces of thought, and the occasional imposition of contemporary reality directly, you are welcome to subscribe to Cogitationes.

As a rule, a newsletter is sent out once a month, featuring the latest texts, notes on new series, and selected reflections from the Artis Umbrae universe.

The newsletter is published bilingually in German and English and is intended as a shared journal for all language spaces in which Artis Umbrae is present. The individual essays on the website itself are available in all published language versions.

New texts emerge with an irregular regularity — the monthly dispatch simply ensures that nothing slips past unnoticed.


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Public sharing buttons have been omitted deliberately.

Some texts and visual worlds unfold their effect more fully in quiet reading than in the rapid traffic of social media. If you wish to pass a text on, please do so intentionally — by link, message, or in personal conversation.

Thoughts may travel.

Just preferably not algorithmically.

To the essays

If the victim stays in the picture

On Otto Mühl and the question of when artist and work can no longer be separated On 10 September, the ...

If the Name is larger than the image

On art, fame, and the mistaken belief that quality must eventually be discovered Recently, I came across an article about ...

How to art has been, what it is

Part II: Why Does Art Always Have to Be New? “That has already been done.” This sentence, too, has a ...

How Art Became What It Is

Part I: Does Art Get Better – or Just Different? “Back then, at least they still knew how to paint.” ...

Reception Aesthetics II – Where Does the Pornography Reside?

In the previous article on hermeneutics and reception aesthetics, the starting point was a seemingly harmless question: how does the ...

Hermeneutics, Reception Aesthetics and CONVIVIUM – How Meaning Emerges

When we look at a work of art, sooner or later an astonishingly simple question arises: what does it actually ...

I’m not looking for a beautiful body

About nudity, age, expression, and, in addition, what can a body in the picture actually I'm not looking for a ...
Piktorialistischer Gummidruck „Struggle“ von Robert Demachy mit einer von dunklen, malerischen Strukturen umgebenen menschlichen Figur.

Pictorialism – When Photographers Set Out to Prove That Photography Could Be Art

When photography began its triumphal advance in the nineteenth century, many people regarded it primarily as one thing: a technical ...

Free hands – and what you can do with

There are themes one encounters and thinks: interesting. There are others that make one pause briefly, jot down a note, ...

Why Red, All of a Sudden?

On Leonardo, red chalk, handwriting and the beginning of Studia Rubra Dear reader, anyone familiar with my photographic work will ...

What Photographers Can Learn from the Pre-Raphaelites

Or: Why a handful of young English artists began searching for the roots of art nearly 180 years ago. When ...

Why I’ll Be Bothering You with Long-Dead Painters More Often

A small warning before we begin. Over the coming months, the Cogitationes will occasionally introduce names you might not expect ...

The One Photograph

How many photographs do you have of your mother? Of your father? Of your children? Probably hundreds, perhaps even thousands ...

Smartphone or Professional Camera? Why This Debate Misses the Point

The following scene is not fictional. It happened exactly as I am about to describe it. It was a Sunday ...

The Image Made of Silver

What a gelatin silver print is, and why its appearance still lives on in digital photography In texts about classic ...

The Image Between the Dots

On Pointillism and Divisionism, photographic grain, and a reality that only comes into being in the eye When we approach ...

Photoshop, retouching, and the Illusion of the “real” image

There is a statement I hear time and again, usually from people who encounter photography primarily as viewers rather than ...

What Does Sin Taste Like?How’s the sin?

On Images, Flavours and the Emergence of CONVIVIUM It began with the seven deadly sins. I wanted to depict pride, ...

How you look at modern art – thoughts from a Studio

How to Look at Modern Art There is a moment that occurs with remarkable regularity in galleries devoted to modern ...

The Disappearance of Shadows

Curiously, shadows are slowly disappearing from our visual culture. Not only from photography, but from images in general. Pictures are ...

A morning between images, and discussions

A Morning of Images and Conversations A few weeks ago I received the invitation to the gallery breakfast at the ...
Schwarzweißfotografie eines weiblichen Körpers im Schatten, reduziert ausgeleuchtet

As an art has never been allowed to be complicated

A few weeks ago, I came across a study on the evolution of popular music. The researchers analyzed thousands of ...

When the world was still readable

A few years ago, I was standing in front of St. Stephen's Cathedral in Vienna with a group of friends ...

What Is Fine Art, Anyway?

Few terms in contemporary photography are used as casually, as frequently and as confidently as “Fine Art”. At the same ...
Unterhose Klimt

Art, Kitsch and Beauty – A Journey in Three Parts

Part 3: Why Have We Learned to Distrust Beauty? After spending so much time thinking about kitsch, I began to ...
Unterhose Klimt

Art, Kitsch and Beauty – A Journey in Three Parts

Part 2: Does Universal Kitsch Even Exist? In the first part of this series, we explored a deceptively simple question: ...
Unterhose Klimt

Art, Kitsch and Beauty – A Journey in Three Parts

Part 1: What Is Kitsch? A Question Every Artist Should Ask During one of my many journeys through Italy, I ...

Ravenna – between the gold, mosaics, and contemporary art

Most people who travel to Ravenna are travelling into the past. The city is one of Europe's great artistic treasure ...

Of the old suspicion

The history of technological innovation follows a remarkably consistent pattern. First, people insist something will never work. And the moment ...

As ideas emerge

People actually ask me quite often where my ideas come from. Which creative techniques I use. Whether I work with ...

As an “Impression” is still an insult was

The impertinence to look the other way It has become one of the art world’s most cherished habits to treat ...

When Does Art Stop Being Art?

Perhaps the valued reader has noticed that public debates repeatedly flare up around the question of what art is — ...

About my handwriting more than mere writing

Perhaps the valued reader has already encountered my handwriting in various entries within these Cogitationes. Whether in guestbook entries at ...

Max Herrmann-Neiße

There are poets one admires.And there are poets who slowly take root somewhere inside one’s own thinking. Max Herrmann-Neiße belongs, ...

Ten Sentences for People Who Want to Sound Intelligent at Openings

A small survival guide for those who find themselves—by accident or by intention—somewhere between art and prosecco. (This text is ...

And Size Does Matter After All

At this point, the esteemed reader may permit a small, almost heretical question: does art always have to be large? ...

I Do Not Photograph Numbers

There are certain themes that will continue to accompany the valued reader here with almost stubborn regularity, much like Cato ...

Michelangelo, Moses, and the Problem with Breasts

It did not begin with a theory, but with irritation. Standing once again in Florence before Michelangelo, I found myself ...
Palma

Gallery Visits in Mallorca

The Things We Do for Money Some people even work for it. Which is exactly why I found myself, once ...

A Visit to Thomas Leimer and publicartists.online

A Visit to Thomas Leimer and publicartists.online There are places within the art world that do not claim to be ...

Between Silence, Script, and Shadow – Reflections on My Trakl Cycle

There are poets one reads, and there are poets who remain with you for years. Georg Trakl unquestionably belongs to ...

Between Space and Proximity – Reflections After Two Gallery Visits in Vienna

Visiting exhibitions belongs to the quieter, yet no less essential, parts of artistic work. Not as a social ritual, not ...

Why My Images Must Lose Their Colour

One of the questions I am asked again and again is this: why black and white? The simple answer would ...
Schwarzweißfotografie eines weiblichen Körpers im Schatten, reduziert ausgeleuchtet

Trude Fleischmann

Trude Fleischmann There are photographers who do not seize you through an entire body of work at first glance, but ...

The Images That Never Came Into Being

What happens when a photographic work dissolves into nothing. When people speak about art, they almost always speak about finished ...

The Moment Alone Is Not Enough

On photography, art, and the loss of seeing We live in a time in which images are everywhere, and yet ...

Not the Statue, but the Gaze

Travel reflections from Treviso Two tourists stopped in front of the fountain, cast a brief glance at it, and began ...
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